{"id":5542,"date":"2024-11-16T14:07:52","date_gmt":"2024-11-16T14:07:52","guid":{"rendered":"https:\/\/guneydoguasyacalismalari.com\/?p=5542"},"modified":"2024-11-18T01:37:44","modified_gmt":"2024-11-18T01:37:44","slug":"malezyada-bir-resim-sergisi-ve-toplumsal-yarar-olgusu-an-art-exhibition-and-social-good-phenomenon-in-malaysia","status":"publish","type":"post","link":"https:\/\/guneydoguasyacalismalari.com\/indonesia\/malezyada-bir-resim-sergisi-ve-toplumsal-yarar-olgusu-an-art-exhibition-and-social-good-phenomenon-in-malaysia\/","title":{"rendered":"Sebuah pameran seni dan fenomena kebaikan sosial di Malaysia \/ Sebuah pameran seni dan fenomena kebaikan sosial di Malaysia"},"content":{"rendered":"<p><strong>Mehmet \u00d6zay &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 16.11.2024<\/strong><\/p>\n\n\n\n<p>Malezya\u2019da toplumsal bar\u0131\u015f konusu, bu ulus-devletin kendine \u00f6zg\u00fc tarihsel ve modern d\u00f6nem yap\u0131la\u015fmas\u0131yla belirlenmi\u015ftir.<\/p>\n\n\n\n<p>Ve bu anlamda, kendine \u00f6zg\u00fc nitelikler ta\u015f\u0131mas\u0131 do\u011fald\u0131r&#8230;<\/p>\n\n\n\n<p><strong>K\u00f6ken: \u00e7ok etniklilik ve \u00e7ok dinlilik<\/strong><\/p>\n\n\n\n<p>Malezya\u2019da toplumsal birlik olgusunun, 19. y\u00fczy\u0131l ba\u015flar\u0131ndan itibaren g\u00fcndeme gelen sosyolojik bir konu oldu\u011fu bilinir.<\/p>\n\n\n\n<p>Malay Yar\u0131madas\u0131\u2019ndaki Malay toplumlar, ba\u015fta Sumatra ve Cava Adalar\u0131 olmak \u00fczere Tak\u0131madalar co\u011frafyas\u0131ndan ya\u015fanan g\u00f6\u00e7ler, bu s\u00fcrece eklemlenen \u00c7in ve Hindistan k\u00f6kenlilerin zamanla \u00f6zellikle, Bat\u0131 Malaya sahil \u015feridindeki varl\u0131klar\u0131 modern Malezya\u2019n\u0131n g\u00f6rece yak\u0131n tarihinden ald\u0131\u011f\u0131 toplumsal miras olarak adland\u0131r\u0131lmay\u0131 hak eder.<\/p>\n\n\n\n<p>Ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131n elde edildi\u011fi 1957 y\u0131l\u0131ndan bu yana ge\u00e7en s\u00fcre zarf\u0131nda \u0131rk, dil, din farkl\u0131la\u015fmas\u0131n\u0131n, her daim siyasal arenada ba\u015fat unsurlar olarak ortaya konulmas\u0131 ve bunun \u00fczerinden siyaset yapma bi\u00e7imine kar\u015f\u0131l\u0131k, bu farkl\u0131l\u0131klar\u0131 bir ulus devlet olma \u00e7abas\u0131nda birli\u011fe d\u00f6n\u00fc\u015ft\u00fcrme konusunda da ad\u0131mlar at\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6ylemek gerekir.<\/p>\n\n\n\n<p>Bu konuda, faaliyet g\u00f6steren \u00e7e\u015fitli sivil toplum kurulu\u015flar\u0131n\u0131n \u00e7abas\u0131n\u0131 dikkate almak gerekiyor.<\/p>\n\n\n\n<p><strong>Zenginlik ve sorun kayna\u011f\u0131<\/strong><\/p>\n\n\n\n<p>Genellikle, \u00e7ok k\u00fclt\u00fcrl\u00fc, \u00e7ok dinli, \u00e7ok \u0131rkl\u0131 \u00fc\u00e7l\u00fcs\u00fcyle an\u0131lan Malezya\u2019da, var olan toplumsal yap\u0131da k\u00fclt\u00fcrel \u00e7e\u015fitlili\u011fi ve zenginli\u011fi ortaya koyan bu kavramsalla\u015ft\u0131rma, ayn\u0131 zamanda toplumsal ve siyasal sorunlar\u0131n da bir anlamda, temelini te\u015fkil eder.<\/p>\n\n\n\n<p>Bu \u00e7er\u00e7evede, siyaset ve k\u00fclt\u00fcr ili\u015fkisinin birbiriyle \u00e7eli\u015fen ve birbirine yak\u0131nla\u015fan boyutlar\u0131na tan\u0131k olunur.<\/p>\n\n\n\n<p>Bu noktada, Malezya siyasal ya\u015fam\u0131nda s\u00f6z konusu, \u2018\u00e7oklu k\u00fclt\u00fcrel ve toplumsal yap\u0131lardan\u2019 ne\u015fet eden sorunlar\u0131n \u00fcstesinden gelinmesinde, -olumlu bir g\u00f6r\u00fc\u015fle hareket etti\u011fimizde, siyasal sistemin kurallar\u0131 ve de\u011ferleri kadar, bu ilgili geni\u015f toplum kesimini te\u015fkil eden ve ba\u015fl\u0131ca Malaylar\u0131n, \u00c7inlilerin ve Hintlilerin te\u015fkil etti\u011fi, -ancak, bunlar\u0131n yan\u0131 s\u0131ra, irili ufakl\u0131 di\u011fer kesimlerinde yer ald\u0131\u011f\u0131- ve kendi toplumsal zeminlerinde olu\u015fturduklar\u0131 sivil olu\u015fumlar\u0131n ulusal birli\u011fin tesisinde az\u0131msanmayacak bir rol\u00fc oldu\u011funu s\u00f6ylemek gerekir.<\/p>\n\n\n\n<p><strong><em>Yayasan Arshad Ayub<\/em><\/strong><strong>: Sivil toplum ve birlik<\/strong><\/p>\n\n\n\n<p>Bu sivil olu\u015fumlar, dini-k\u00fclt\u00fcrel-e\u011fitim vb. alanlarda, sivil toplum yap\u0131la\u015fmalar\u0131yla toplumun ilgili kesimleri kadar, t\u00fcm etnik farkl\u0131l\u0131klar\u0131 g\u00f6z ard\u0131 etmek suretiyle, \u2018Malezyal\u0131l\u0131k\u2019 olgusunu ye\u015fertmeye ve devam ettirmeye hizmet ediyor.<\/p>\n\n\n\n<p>Ve bu anlamda, bu sivil olu\u015fumlar\u0131n toplumsal ger\u00e7eklikte ayr\u0131 bir anlamlar\u0131 bulundu\u011funa ku\u015fku yok.<\/p>\n\n\n\n<p>Bug\u00fcn, bunlardan birinin tertip etti\u011fi resim sergisine kat\u0131lma imk\u00e2n\u0131 buldum.<\/p>\n\n\n\n<p>Malezya \u00f6l\u00e7e\u011finde, modern bir mek\u00e2nda, Publika\u2019da \u2018Segaris Sanat Merkezi\u2019nde ger\u00e7ekle\u015ftirilen etkinli\u011fin, pek \u00e7ok a\u00e7\u0131dan \u00f6\u011fretici oldu\u011funa ku\u015fku yok.<\/p>\n\n\n\n<p>Arshad Ayub Vakf\u0131 (<em>Yayasan Arshad Ayub<\/em>) taraf\u0131ndan organize edilen, \u2018<em>Malaysiana<\/em>\u2019 ba\u015fl\u0131kl\u0131 resim sergisinin, birden fazla hedefi i\u00e7inde bar\u0131nd\u0131rd\u0131\u011f\u0131n\u0131 s\u00f6yleyebilirim.<\/p>\n\n\n\n<p>Bunlar\u0131n ba\u015f\u0131nda, resim sergisine kat\u0131lan, ya\u015flar\u0131 20 il\u00e2 84 aras\u0131nda de\u011fi\u015fen toplam 52 sanat\u00e7\u0131n\u0131n toplam 103 par\u00e7a resminin kamuoyuyla payla\u015f\u0131m\u0131n\u0131n, hi\u00e7 ku\u015fku yok ki, \u00f6nemi b\u00fcy\u00fck.<\/p>\n\n\n\n<p>Sergide yer alan eserler, Malezya\u2019n\u0131n farkl\u0131 co\u011frafyalar\u0131na \u00f6zg\u00fc mimari, k\u0131r, \u015fehir, din vb unsurlar\u0131 ile baz\u0131 soyut tasar\u0131mlar\u0131, sanat\u0131n yeniden in\u015fac\u0131 \u00e7e\u015fitli y\u00f6ntemleriyle g\u00fcndeme getiriyor.<\/p>\n\n\n\n<p>Bu durum, sergide eserleriyle yer alan sanat\u00e7\u0131lar\u0131n etnik ve dini kimliklerinin farkl\u0131l\u0131\u011f\u0131n\u0131n \u00f6tesine ge\u00e7erek bir t\u00fcr birliktelik ortaya koyuyor.<\/p>\n\n\n\n<p>Bu noktada, sergilenen eserlerin sat\u0131\u015f\u0131ndan elde edilecek gelirin vakf\u0131n, e\u011fitim alan\u0131ndaki \u00e7al\u0131\u015fmalarda kullan\u0131lmas\u0131 somut bir \u00e7\u0131kt\u0131 olarak g\u00fcndeme gelirken, kan\u0131mca burada olu\u015fan maddi ve niceliksel getiriden ziyade, vakf\u0131n ortaya koydu\u011fu toplumsal bak\u0131\u015f a\u00e7\u0131s\u0131 gayet \u00f6nemli bir \u00f6rnek olarak de\u011ferlendirilmelidir.<\/p>\n\n\n\n<p>Bu noktada, e\u011fitim alan\u0131ndaki faaliyetleriyle tan\u0131nan \u2018Arshad Ayub Vakf\u0131\u2019n\u0131n, g\u00fcc\u00fc nisbetinde, \u0131rk ve din fark\u0131na bakmaks\u0131z\u0131n, \u00fclkedeki t\u00fcm kesimlerin gen\u00e7 nesillerine sa\u011flad\u0131\u011f\u0131 e\u011fitim deste\u011fi, farkl\u0131l\u0131klar\u0131yla \u00f6ne \u00e7\u0131kan Malezya toplumunda, \u00e7oklu anlam olu\u015fturman\u0131n en \u00f6nemli ara\u00e7lar\u0131ndan biri olarak de\u011ferlendirilmeyi hak ediyor.<\/p>\n\n\n\n<p>Ad\u0131na vak\u0131f te\u015fkil edilen Arshad Ayub, 1928 il\u00e2 2022 y\u0131llar\u0131 aras\u0131nda ya\u015fam s\u00fcrm\u00fc\u015f ve \u00f6mr\u00fcn\u00fc e\u011fitim davas\u0131na adam\u0131\u015f isimlerden biri olarak biliniyor.<\/p>\n\n\n\n<p><strong>\u2018\u0130nsan sermayesi\u2019 ve ikinci \u015fans<\/strong><\/p>\n\n\n\n<p>Merhum Arshad Ayub\u2019un 2008 y\u0131l\u0131nda kurdu\u011fu vak\u0131f, o g\u00fcnden bu yana, \u00fclkede \u201cinsan sermayesinin geli\u015fimi\u201dne odaklanm\u0131\u015f durumda.<\/p>\n\n\n\n<p>Etkinli\u011fin a\u00e7\u0131l\u0131\u015f konu\u015fmas\u0131n\u0131 yapan, eski bakanlardan Tan Sri Rafidha Aziz, \u2018\u0130nsan sermayesi\u2019 olgusunun, \u00e7e\u015fitli siyasi d\u00fc\u015f\u00fcnceler ve pratiklere kurban gitti\u011fine gizli a\u00e7\u0131k yapt\u0131\u011f\u0131 vurgu, asl\u0131nda tam da, bu etkinli\u011fi ortaya koyan vakf\u0131n \u00e7abas\u0131n\u0131n ne denli \u00f6nemli oldu\u011funu bir kez daha kan\u0131tl\u0131yordu. &nbsp;<\/p>\n\n\n\n<p>E\u011fitimi \u00f6ncelleyen ve bunu yaparken, toplumdaki etnik ve dini farkl\u0131l\u0131kl\u0131klar\u0131 dikkate almadan ihtiya\u00e7 sahibi gen\u00e7lere ula\u015fmay\u0131 hedefleyen vak\u0131f, bu \u00e7abas\u0131n\u0131, kurucusunun ortaya koyup geli\u015ftirdi\u011fi \u2018ikinci bir \u015fans\u2019 olgusu olarak tan\u0131ml\u0131yor.<\/p>\n\n\n\n<p>Bu \u2018ikinci \u015fans\u0131n\u2019 e\u011fitimle olaca\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnen merhum Arshad Ayub, b\u00f6ylece ilgili bireylerin ve toplum kesimlerinin toplumda kendilerine hak ettikleri yeri edinebileceklerine inanm\u0131\u015f.<\/p>\n\n\n\n<p>Bu noktada, hayat\u0131n do\u011fall\u0131\u011f\u0131 ve s\u0131n\u0131rl\u0131l\u0131\u011f\u0131 i\u00e7erisinde kendilerini toplumun alt tabakas\u0131nda bulan kesimlerin \u00e7ocuklar\u0131na y\u00f6nelik e\u011fitim s\u00fcre\u00e7lerini, dini-etnik farka bakmaks\u0131z\u0131n, \u00f6n a\u00e7\u0131c\u0131 bir yakla\u015f\u0131mla yap\u0131land\u0131rmaya \u00e7al\u0131\u015f\u0131yor.<\/p>\n\n\n\n<p>Vak\u0131f, yukar\u0131da de\u011finilen sanat etkinli\u011finin ilkini 2023 y\u0131l\u0131nda ger\u00e7ekle\u015ftirmi\u015f. Vakf\u0131n, hemen bir y\u0131l i\u00e7inde benzeri bir ikinci sanat etkinli\u011fiyle g\u00fcndeme gelmesini kendi i\u00e7inde bir ba\u015far\u0131 olarak de\u011ferlendirmek gerekir.<\/p>\n\n\n\n<p>Bu t\u00fcr etkinliklerin vaz ge\u00e7ilmez isimlerinden Halime Yacob, bir d\u00f6nem bakanl\u0131k yapm\u0131\u015f ve Malezya siyasetini derinden tan\u0131yan Tan Sri Rafidah Aziz, sosyal in\u015fac\u0131 rolleri ve rehberlikleriyle birbirinden farkl\u0131 gruplar\u0131 biraraya getirebilmesi ve bu gruplar\u0131n birbirleriyle payla\u015f\u0131mda bulunabilmelerini sa\u011flamalar\u0131yla sivil sorumluluk \u00f6rne\u011fi sergiliyorlar.<\/p>\n\n\n\n<p>Malay, \u00c7inli, Hintli k\u00f6kene mensup Malezyal\u0131lar\u0131n olu\u015fturdu\u011fu kat\u0131l\u0131mc\u0131lar, ziyaret\u00e7iler etkinlik a\u00e7\u0131l\u0131\u015f\u0131nda, vak\u0131f mensuplar\u0131ndan birinin yapt\u0131\u011f\u0131 duaya zihinleriyle ve g\u00f6n\u00fclleriyle kat\u0131ld\u0131klar\u0131na ku\u015fku yok.<\/p>\n\n\n\n<p>Birbirleriyle yan yana oturan, selamla\u015fan, konu\u015fan, ayn\u0131 platformu ve ayn\u0131 idealleri payla\u015fan farkl\u0131 toplum kesimlerine mensup bu bireylerin, ortaya koyduklar\u0131 birliktelik temelde her daim \u00e7o\u011falt\u0131lmas\u0131 gereken anlaml\u0131 bir b\u00fct\u00fcn olu\u015fturuyor.<\/p>\n\n\n\n<p>Farkl\u0131l\u0131klar\u0131n, \u00f6zellikle baz\u0131 toplumsal kurumlar nezdinde zenginlik yerine ayr\u0131\u015ft\u0131c\u0131l\u0131k unsuru olarak g\u00f6sterilmesi kar\u015f\u0131s\u0131nda, \u00e7e\u015fitli sivil toplum kurulu\u015flar\u0131n\u0131n var olan farkl\u0131l\u0131klar\u0131 zenginli\u011fe d\u00f6n\u00fc\u015ft\u00fcrme konusundaki \u00e7abalar\u0131n\u0131 dikkate almak gerekir.<\/p>\n\n\n\n<p>Bu anlamda, Arshad Ayub Vakf\u0131\u2019n\u0131n varl\u0131\u011f\u0131 ve e\u011fitim alan\u0131nda sergiledi\u011fi kendine \u00f6zg\u00fc \u00e7al\u0131\u015fmalar\u0131yla \u00f6vg\u00fcye de\u011fer oldu\u011funu s\u00f6ylemek gerekir.<\/p>","protected":false},"excerpt":{"rendered":"<p>Mehmet \u00d6zay &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; 16.11.2024 Malezya\u2019da toplumsal bar\u0131\u015f konusu, bu ulus-devletin kendine \u00f6zg\u00fc tarihsel ve modern d\u00f6nem yap\u0131la\u015fmas\u0131yla belirlenmi\u015ftir. Ve bu anlamda, kendine \u00f6zg\u00fc nitelikler ta\u015f\u0131mas\u0131 do\u011fald\u0131r&#8230; K\u00f6ken: \u00e7ok etniklilik ve \u00e7ok dinlilik Malezya\u2019da toplumsal birlik olgusunun, 19. y\u00fczy\u0131l ba\u015flar\u0131ndan itibaren g\u00fcndeme gelen sosyolojik bir konu oldu\u011fu bilinir. Malay Yar\u0131madas\u0131\u2019ndaki Malay toplumlar, ba\u015fta Sumatra ve Cava [&hellip;]<\/p>","protected":false},"author":3,"featured_media":5548,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,27,75],"tags":[],"class_list":["post-5542","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gunluk-yazilar","category-malezya","category-sosyoloji-tarih"],"_links":{"self":[{"href":"https:\/\/guneydoguasyacalismalari.com\/indonesia\/wp-json\/wp\/v2\/posts\/5542","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/guneydoguasyacalismalari.com\/indonesia\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/guneydoguasyacalismalari.com\/indonesia\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/guneydoguasyacalismalari.com\/indonesia\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/guneydoguasyacalismalari.com\/indonesia\/wp-json\/wp\/v2\/comments?post=5542"}],"version-history":[{"count":0,"href":"https:\/\/guneydoguasyacalismalari.com\/indonesia\/wp-json\/wp\/v2\/posts\/5542\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/guneydoguasyacalismalari.com\/indonesia\/wp-json\/wp\/v2\/media\/5548"}],"wp:attachment":[{"href":"https:\/\/guneydoguasyacalismalari.com\/indonesia\/wp-json\/wp\/v2\/media?parent=5542"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/guneydoguasyacalismalari.com\/indonesia\/wp-json\/wp\/v2\/categories?post=5542"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/guneydoguasyacalismalari.com\/indonesia\/wp-json\/wp\/v2\/tags?post=5542"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}